[Magazine Kave=ParkSunam marubuci] Ranar 3 ga Afrilu, 2026, wani sautin da ya yi nauyi ya sake dawowa a talabijin na Netflix a duk duniya. Babu fitattun ikon sihiri, babu manyan makamai na zamani. Abin da ya rage shi ne dukan hannu da aka ɗaure tare da bandeji na ’yan tsana biyu matasa—masu wari na gumi. Amma masu kallo a ko’ina sun sake shiga murna da sha’awar wannan salon faɗa na ’yan analog. Jerin Netflix Original mai suna ’Yan wasan farauta (Bloodhounds) Lokaci na 2 ya shiga matsayi na 2 a sashin Global TV Shows na FlixPatrol bayan fitowa da wuri—kuma cikin kwana uku kacal ya zarce miliyan 5 a views, ya tsaya Top 10 a kasashe 67 a duniya. Har ila yau, Rotten Tomatoes Audience Score ya kai kashi 81%, abin da ke nuna nasara a bangaren karɓuwa da kuma bita.

Amma idan za a bayyana ƙimar wannan shirin da jimla ɗaya kamar “faɗa tana da daɗi,” ba za a iya isa ba. ’Yan wasan farauta (Bloodhounds) ba wai kawai labari ne mai cike da yaƙi ba; labari ne mai ɗauke da manyan ɓoyayyun haɗuwa da kuma muhimmin saga. A kyamarar, ana tona tashin hankalin ciniki da kuma tashin hankalin tsarin jari-hujja a tsakiyar bala’in cutar coronavirus (COVID-19). Sa’ad da muka isa Lokaci na 2, sai aka ƙaddamar da yaƙi mai jini a kan laifukan dijital da ke wakilta da Dark Web da Bitcoin. Amma a gaskiya, abin da ke bayan kyamara ya fi muni. Fitar da babban ɗan wasa daga fim yayin harbi ta faru, an yi manyan gyare-gyaren rubutu (script), kuma hakan ya ƙare da wani mutuwar ban tausayi—labarin wata matashiyar ’yar fim da aka rasa ya bar inuwar da ba za a iya shafe ta ba.

Wannan labari da aka shimfiɗa ba wai kawai bita ba ce da sauran kafofin watsa labarai suka yi; yana zurfafa nazari kan rubutun ’Yan wasan farauta (Bloodhounds) daga ra’ayin ilimin zamantakewa, ilimin halin ɗan Adam, da kuma duniyar shahararrun al’adu na duniya. Me yasa masoya na duniya suka fi sha’awar faɗa da salon “bromance” na Koriya (K-Marine bromance) fiye da irin harbin bindiga na Yamma? Wace cece-kuce ce ta falsafar “analog vs digital” wadda darektan ya yi niyya? Har ila yau, muna bincika ainihin mugun ɗan halitta mai irin hali na sociopath da Jung Ji-hoon (Bi) ya gina, tare da yadda masifar duniya ta bazu cikin jigon labari na wannan jerin.

1. Lokacin annoba, rayuwa a gefen duwatsu: Sarkin bashi na analog (Lokaci na 1)

Domin fahimtar babban nasarar Lokaci na 2, dole ne mu koma baya mu ga ƙasar da aka fara shuka iri na wannan mummunan drama. Duniyar ’Yan wasan farauta (Bloodhounds) tana dogara ne a kan wani lokaci da wuri mai cike da bayani da gaskiya. Wato, shekarar 2020, Seoul a Koriya ta Kudu—inda coronavirus ya matse numfashin duniya.

Kukan ’yan kasuwa ƙanana da murmushin mai cin riba mai tsoka

Darektan Kim Ju-hwan (Jason Kim), wanda ya yi fina-finai kamar ’Yan sanda Matasa (Midnight Runners) da ’The Divine Fury’, ya tsara wannan drama daga webtoon daidai da suna, inda ya sanya bala’in lokacin annoba ya zama cibiyar abin da ke faruwa. A tattaunawa da ’yan jarida, Kim Ju-hwan ya ce, “A matsayina na mai ƙirƙira da ke rayuwa a wannan zamani, ina so in nuna azabar annoba. Kowa ya ji tasirin cutar, kuma wasu sun shiga azaba mai tsanani. Ina so in haɗa kukan waɗannan mutane da yadda suka shawo kan lamarin, tare da masu kallo a duk duniya.”

A cikin jerin, ɗan dambe mai haske Kim Geon-woo (Woo Doh-hwan) matashi ne mai aiki tukuru. Amma saboda annoba, an soke wasannin da suka shafi yanke hukuncin gasar, mafarkin sa ya tsaya a rabi. Ƙaramin gidan kafe da mahaifiyarsa, Yoon So-yeon (Yoon Yu-seon), ke gudanarwa ya fuskanci barazanar rushewa saboda takunkumin aiki. A wannan lokacin na bala’i, masu cin riba da mugunta su ne suka fi fara dariya—irin su shugaban “Smile Capital” Kim Myung-gil (Park Sung-woong), wanda yake cin riba da baƙin ciki na waɗanda suke cikin rauni.

’Yan kasuwa ƙanana da ba su iya wucewa ta ƙofar banki suna neman bashi da zuciya cike da fata mai rauni. Amma abokan cin riba na Kim Myung-gil suna jefa su cikin zaman bauta da rubutattun ƙagaggun kwangila, da ƙananan rubuce-rubuce da ba a iya gani ba sai da gilashin ƙara. Lokacin da mahaifiyarsu ta fadi cikin ramin basussuka, Geon-woo ya shiga wata makoma: ba zai sake fafatawa a zobe ba, sai ya fito ya fuskanci takobin masu cin riba a kan tituna masu tsanani.

Laifin wannan zamani “na analog” ne sosai. Kwangilolin karya, gungu na kuɗi baƙi, da ’yan fashin bayan gari da ke dauke da bututun ƙarfe da makamai—duk su ne manyan abubuwan da ke tayar da tashin hankali. Fuskantar kai tsaye: dambe da makami, mutum mai gari da babban kuɗi mai muni—wannan tsarin fada mai sauƙi ya fusata sha’awar jin daɗi da kwanciyar hankali (catharsis) na masu kallo a duniya waɗanda ke fuskantar rashin daidaiton tattalin arziki fiye da iyaka.

2. Juyin jari, mulkin dijital: Haɗin jini da Bitcoin (Duniya ta Lokaci na 2)

A Lokaci na 1, Geon-woo da U-jin (Lee Sang-yi) sun rushe Smile Capital, suka yanke sarkar bashi na analog. Amma bayan shekaru uku, a 2026, tsarin laifi ya fi sauri fiye da yadda ’yan wasan suka girma—ya kuma canja cikin dabara.

Fitowar Dark Web da Ƙungiyar Kokawar Iron (IKFC)

A Lokaci na 2, darektan Kim Ju-hwan ya faɗaɗa fagen yaƙi daga “tashin kuɗi da mutum” zuwa “babbar ƙungiyar kokawar duniya (global fighting league)” na duniyar ƙasa. Wannan duniyar, wadda babban mugun nan Im Baek-jeong (Jung Ji-hoon) ke mulki, ba ta zama mafaka ga ɓarayi masu tashin hankali kaɗai ba. Im Baek-jeong yana gudanar da IKFC—Iron Knuckle Fighting Championship—wato gasar kokawa da ke gudana a Dark Web, inda mutane miliyan da dama a duniya ke kallon su a ɓoye.

A nan ne tsarin laifi ya canza gaba ɗaya daga analog zuwa dijital. Masu kallo suna ɓoyewa a bayan allon su, sannan a madadin Bitcoin suna yin fare mai tsanani a kan wasannin mutuwa da ke zubar da jini. Yaƙin zobe ba komai ba ne face abun ciki na dijital da ake yi don jawo traffic da tara kuɗin crypto.

Darektan Kim Ju-hwan ya ce, “Idan Lokaci 1 labari ne na bokaye da suke fafatawa da masu bada lamuni a lokacin annoba, to Lokaci 2 ya shiga zurfin rikicin da ke tsakanin kuɗi da halin mutum. Cacular boxing na duniya ya kasance cikakkiyar hanya don binciko wannan batu.” Sunan Geon-woo, wanda ya girma zuwa zakara kuma ya sami shahara a tsakanin jama’a, ya zama abin sha’awa a wajen Im Baek-jeong—kamar “abin jan hankali” da ake so. Im Baek-jeong yana ba Geon-woo kuɗi mai ban mamaki don ya jawo shi a kan zoben Dark Web, amma idan Geon-woo ya ƙi, sai ya ƙara matsewa da barazanar tsanani da sacewa.

A wannan mulkin dijital, mutuncin ɗan Adam an mayar da shi zuwa bayanai (data) da crypto. Mutanen da ke ɓoye a bayan allon su suna jin daɗin fare, da kuma haukan Im Baek-jeong da ya zama kamar mutum-mutumi na kuɗi—wannan hauka tana yaga rashin ɗan Adam na babban jari-hujjar dijital cikin kaifi.

3. Bokaye-maƙura har abada: K-bromance da alamar “abincin gida” da ta ja hankalin kasashen Yamma

Wurin da ’Yan wasan farauta (Bloodhounds) ya fi bambanta shi fiye da gajerun wasan kwaikwayo na ramuwar gayya kamar John Wick ko kuma irin ayyukan “na maza” na Hollywood, shi ne zurfin “bromance” tsakanin manyan jarumai biyu—Geon-woo da U-jin. Mujallar TIME ta bayyana sha’awar wannan jerin ta ce, “A wani lokaci, yadda ya fi ban dariya kuma koyaushe yana dumama zuciya da ’yan’uwa (camaraderie) aka saka shi cikin mummunan drama na laifi.”

Ruhun K-Marine: Alamar sadaukarwa da haɗin kai

Wannan bromance ba ta tsaya kawai ga abokai da ke da jituwa ba; an ɗaure su da wani alama ta al’adu ta musamman. Abin da ya haɗa su: dukansu an tsara su a matsayin masu fitowa daga Korean Marine Corps na Koriya ta Kudu. A wasan ƙarshe na gasar sabon ɗan dambe (boxing rookie king) inda su biyun suka hadu suka yi tsananin musayar duka, sai bayan gasar, a wurin abinci, lokacin da suka tabbatar da janar/jerin Marine da suke bi, sai su canza zuwa ’yan’uwa na har abada.

Idan al’adar sojojin Yamma galibi tana jaddada akidar mutum ɗaya da kuma sana’a bisa matakin aiki, to ruhun K-Marine da aka nuna a cikin fim ɗin an gina shi ne kan haɗin kai mai ƙarfi “mu ɗaya ne daga jini” tare da sadaukarwa ba tare da son kai ba. Masoyan duniya a Reddit sun ji daɗi sosai da wannan al’adar “na sama-na kasa” ta musamman, da kuma ƙauna mara misaltuwa wadda ba ta barin juna ko da gab da mutuwa. Wani mai bita ya ce dangantakarsu “haɗin Ryu da Ken ce da zai wuce lokaci,” yana yi musu yabo ba tare da bata lokaci ba.

A Lokaci na 2, wannan bromance yana zurfafa fiye da baya a matsayin ginshiƙin labari. Bayan ya samu rauni a farkon yaƙe-yaƙen shirin, kuma rayuwarsa ta zama bokan ƙwararre mai kusa ƙarewa, U-jin a Lokaci na 2 ya zaɓi zama koci mai komawa baya a bayan Geon-woo domin ya gina shi zuwa zakara. Ba wai yana ƙin ɗan’uwan da ake jawo masa ido ba; akasin haka, yadda U-jin ke sadaukarwa don taimaka wa nasararsa kamar nasa ne ya taɓa zuciya. Lee Sang-yi, wanda ya taka U-jin, ya ce, “Za ka ga U-jin ya fi balaga kuma ya fi abin dogaro idan aka kwatanta da Lokaci na 1. Yana gwagwarmaya sosai don ya kare Geon-woo.” Woo Doh-hwan ma ya ce, “Muna yi wa juna raha cewa an kai soyayyar ‘bromance-melo’ har zuwa mataki. Domin mun taɓa jin zafin rasa muhimmin mutum, muna son kare juna har zuwa ƙarshe, kada kowa ya ji rauni.”

Tudun jirgin duniya mai tsanani, “Abincin gida na mahaifiya”

A cikin wannan daurin tashin hankali mai zubar da jini, alamar da ke riƙe ɗan Adam na matasa biyu ita ce “abincin gida (Home-cooked meals)” da mahaifiyar Geon-woo, Yoon So-yeon (Yoon Yu-seon), ke shirya. Idan duniya ta kasance mai rashin tausayi kuma ba ta bari su numfasa, to waɗannan matan za su zauna cikin kwanciyar hankali: da rana suna buga sandbag, da dare kuma suna raba miya mai zafi da shinkafa tare da mahaifiya.

Ga su, ramuwar gayya ko faɗa ba wai neman cika adalci ne babba ba. Maimakon haka, shi ne gwagwarmayar tsaro mai tsanani don kare sauƙin yau da kullum—wato “teburin mahaifiya.” A Lokaci na 2, lokacin da Im Baek-jeong ya yi ƙoƙarin sace mahaifiya Yoon So-yeon domin ya yi wa Geon-woo barazana, dalilin da ya sa idanun Geon-woo suka canza shi ne cewa an kutsa cikin makomarsu ta hutawa. Abincin dumi na mahaifiya—abu ne mai tsanani na analog da kuma ƙauna ta asali—yana tsayawa a sabanin gaba ɗaya da duniyar laifuka cike da kuɗi da kwadayi, yana ba masu kallo hujjar ƙarfin halaka (legitimization) na tashin hankali.

4. Fitowar katon kare: Ƙwaƙwalwar sociopath da Jung Ji-hoon (Bi) ya ƙirƙira

Babban dalilin da ya sa Lokaci na 2 ta iya riƙe tashin hankali fiye da na baya, shi ne fitowar sabuwar muguwar halitta mai nauyi sosai. Mawaƙi da ɗan wasa Jung Ji-hoon (Bi), wanda ya fara ƙoƙari a karo na farko ya taka babban mugun nan bayan shekaru 28 da fara aikinsa, ya yi nasara ta hanyar “Im Baek-jeong,” inda ya yanke tsofaffin clichés gaba ɗaya.  

Haihuwar mugun da ba shi da labarin baya

A yawancin drama ko fina-finai, mugun mutum yana da labarin baya (backstory) kan dalilin da ya sa ya zama haka, ko kuma a hankali yana nuna haukarsa bisa yadda labari ke tafiya. Amma darektan Kim Ju-hwan ya ba Jung Ji-hoon wata umarni gaba ɗaya daban.

“Ba ku so ya zama mugun abu mai sauƙi ba. Ba tare da irin canjin sautin rollercoaster ba inda da farko yana da niyya ta zama nagari amma daga baya ya zama mugun kwatsam—kun nemi ya ci gaba da kasancewa cikin matuƙar fushi tun daga lokacin da ya fara fitowa. Im Baek-jeong kamar katon kare (rabid dog) ne da aka yi kwanaki 10 ba tare da abinci ba yana zubar da ruwan hoda yana kallon abinci (kuɗi). Ina so masu kallo su ji tsoro duk lokacin da ya bayyana, kamar ‘ko kuwa wannan mutumin zai sake kashe wani?’ ”  

Don aiwatar da cikakkiyar sociopath mai irin wannan narcissism da matsalar sarrafa fushi, Jung Ji-hoon ya tilasta jiki da tunaninsa har zuwa iyaka. Ga halin da ya haɗa da ƙaƙƙarfan gindin jiki da saurin motsi, ya sadaukar da awanni 6 a kowace rana yana yin horon weight da horon dambe. “Damben dambe motsi ne da ake amfani da core da cinyoyi. Idan stance ya dan kuskure kaɗan, masu kallon da suke masani da dambe za su yi tsawa nan take su ce, ‘Wannan me ne?’ Na yi aiki da dambe tare da wasan kwaikwayo, don haka na zuba kusan shekara ɗaya gaba ɗaya a cikin wannan aikin,” in ji shi.  

Rayuwa ta cinye da ƙiyayya, da kuma hukuncin matar sa Kim Tae-hee

Shiga cikin wasan kwaikwayo na Jung Ji-hoon bai sauka da sauƙi ba ko bayan an kashe kyamara. Ya furta a wurin taron gabatar da aikin da kuma hira cewa lokaci mai tsawo ya yi kafin ya fita daga halin da yake takawa. “Ko da ba na yin aiki ba, ina jin wani irin zafin ciki yana tashi. Har ma an yi min la’anta daga hannun matata (yar wasan Kim Tae-hee). Ba wai salon magana ya zama mai kaushi ba ne kawai, amma domin a rayuwar yau da kullum, idanun da suke fitowa da gaggawa a kowane lokaci—sai na ji ana min, ‘me yasa idanunka ke haka?’” Sai ya yi dariya ya kuma yi bayani kan abin da ke bayan fage da ke nuna yadda ya haɗu da halin gaba ɗaya.  

A matsayinsa na abin koyi na kula da jiki, ya kuma nuna ɗan gajiya a wannan aikin saboda matsananciyar kula da kai. “Ba sauƙi ba ne a yi aiki da motsa jiki kawai. Ni ma yanzu ina son in daina. Idan akwai wani aiki mai kyau nan gaba, zan yi action, amma rawar da ta fi karkata ga damuwa da jiki kawai ta kai ga ƙarshe. A gaba, ina son in gwada zama kisan kai a wani fim na Amurka mai kiba kamar kilogiram 100, da riga ta gudu wadda ciki ya yi laushi.” Duk da haka, ko da yake, halin da yake fitar da “mulkin da yake wari da jini” a cikin fim ɗin ya zama babban injin da ya turawa Geon-woo da U-jin cikin ramukan rashin bege, yana fashe tashin hankali na dukan jerin.  

5. Gaskiya mai huda fata: Ƙimar ban mamaki na action da ba ta yarda a sassauta ba

Wani babban jarumi na gaskiya a ’Yan wasan farauta (Bloodhounds) shi ne action kanta. A Hollywood inda bindigogi suka yawaita, me ya sa a yi ta ɗora darajar faɗa ta Koriya irin ta hannu haka? Domin ba wai kamar fasahar sihiri ta kungiya ba ce; sai dai gwagwarmayar titi (street fighting) ta ainihi wadda gumi da zafi ke bi ta.  

Umarnin horon fasahar fada Huh Myeong-haeng da fasahar riji

Huh Myeong-haeng, darektan fasahar fada, wanda ya samu lambar farko a duniya a sashin fina-finan wadanda ba Turanci ba da fim ɗin “Badland Hunters,” kuma ya riƙe mikrofona a Crime City 4 (The Roundup: Punishment) wanda ya kawo masu kallo miliyan goma, shi ne mutum da ya tsaya a saman duwatsun ayyukan Koriya. Ya tsara wani wasan motsi na action mai mutuwa da ke ratsa Lokaci na 1 da Lokaci na 2 gaba ɗaya.  

Falsafar darektan Huh Myeong-haeng ta dogara ne a sassauci. “Ba na son in yi aiki a wurin kamar mai mulki mai zalunci. Idan kana da charisma, sai a ba ’yan wasa damar su numfasa. ’Yan tawagata suna son yin aiki ta haka, kuma a yanayi mai danne, ba za a iya samun kyakkyawan aiki ba,” in ji shi. Saboda wannan yanayi mai buɗewa a wurin harbi, Woo Doh-hwan, Lee Sang-yi, da Jung Ji-hoon sun yi kamar bokaye ainihin zobe—sun yi musayar motsi ta dabi’a, suka ɗaga rayuwar action.  

Darektan Kim Ju-hwan shi ma ya jaddada cewa a kirkirar action mai sauri, ma’aunin tura-ɗuka (powerful hits) shi ne mafi muhimmanci. Ya ce, “Action a wannan jerin ya fi na ‘Midnight Runners’ sau 5 tsanani.”  

Faɗa ta ainihi da iyakar da aka daidaita na karin fim

Masoyan dambe a al’ummar Reddit na waje sun yaba da jerin action na ’Yan wasan farauta (Bloodhounds), inda suka kwatanta shi da shahararrun fina-finan dambe na kasashen Yamma. Wani mai amfani ya ambaci jerin fina-finai na Hollywood 〈Creed〉, yana cewa, “A gasar dambe ta ainihi, jab abu ne wajibi, amma a fina-finai sai a yi ta musayar hook mai ban sha’awa. Yaƙin gaske yana da sauri kuma yana da sauƙi, yana da wahala a ɗauke shi yadda ya dace a fim.” Ya nuna iyakar karin fim ɗin.  

Amma ’Yan wasan farauta (Bloodhounds) ya karya wannan cikas ta hanyar tsara shi a matsayin “rikici a titi.” Ba a kan zobe ba—a kan wani kunkuntar hanya, a wofi ginin da ba a amfani da shi, ko a kan hanya—babu dokoki. Jaruman ba za su iya guje wa dukan kai gaba ɗaya ba kamar jarumai. Suna karo da ’yan fashin da ke dauke da wukake, ana dukan fuska sau da yawa, suna zubar da jini, suna ci gaba da yi masa rauni a kafa suna ta kai. Ba tare da a nuna su a matsayin superhuman ba, amma a nuna su a matsayin mutane; idan aka yi musu duka, su ma suna jin zafi iri ɗaya—wannan ƙa’ida mai dagewa ta zama dalilin da ya sanya masu kallo su tsaya cak su kuma su nutsu a kowane sashe na action.  

Domin cimma haka, Woo Doh-hwan ya shirya abinci sau huɗu a rana a kan kansa, ya kuma ƙara nauyi da kilogiram 10 ta hanyar horo mai tsanani kafin da bayan harbi. Lee Sang-yi, wanda ya taka rawar bokan dama (sauƙin “southpaw”), ya jure tsananin abinci irin na shinkafa mai laushi (brown rice), nonon kaza (chicken breast), miya irin ta sriracha, da abin sha mai sukari-0 (zero sugar soda). Ya tuna: “A rayuwata, ban taɓa yin aiki da ƙwazo a gym haka ba. Na ji kamar na zama ɗan wasa na gaske.” Gumi da suke zuwa kai tsaye daga bayan fuska zuwa ga masu kallo ba ya yin ƙarya.  

6. Bala’in gaskiya ya yaga rubutun: Lamarin Kim Sae-ron da ɓangaren labari da ya rushe

Abubuwan da muke ta ƙauna a allo—abubuwan da ke cike da cikakkiyar ma’ana a bayan labarin—suna da wani abu mai tsananin baƙin ciki da ke zaune a cikin gaskiya: wani bala’i da ya mayar da mahalarta cikin halin rashin bege, har ya kai ga mutuwar wata ’yar wasan kwaikwayo. Don zurfafa nazarin ’Yan wasan farauta (Bloodhounds), jerin raɗaɗin da suka taso a kan Kim Sae-ron (ta taka matsayin Cha Hyun-ju) a matsayin babban ɗan wasa a Lokaci na 1 ba za a iya barin su ba.

Mafarkin gyaran gaba ɗaya na script

A watan Mayun 2022, yayin da harbin Lokaci na 1 yake ratsa lokaci na ƙarshe, babban ɗan wasan Kim Sae-ron ta yi wani babban kuskure a Gangnam, Seoul: ta tuka mota da barasa fiye da kima, ta bugi wani transformer, ta kuma yanke wutar wani yanki na kasuwanni. A cikin labari, Cha Hyun-ju mutum ne mai muhimmin jigo a matsayin wanda ke kafa triyo tare da Geon-woo da U-jin, wanda ya kamata ya ɗauki jagoranci a ɓangaren labari na ƙarshe.  

Darektan Kim Ju-hwan ya shiga wani babban cikas. Lokacin harbi (set) tuni an yi watsi da shi, don haka share rabin nata gaba ɗaya da sake harbawa daga farko ba zai yiwu ba saboda kasafin kuɗi da lokacin jiki. A ƙarshe, ƙungiyar samarwa ta bi da maganin tsanani: an yanke sosai da gyaran gyare-gyare a cikin adadin shirye-shiryen farko guda shida da ta bayyana, sannan dole ne a sake rubuta script na shirin 7 da 8 gaba ɗaya a cikin wata ɗaya kacal.  

“Mun fara ne da babban mafarkin yin K-drama na action da ke wakiltar Koriya. Amma bayan lamarin, dole ne mu sake gina shirin 7 da 8 kamar fim ne sabo da yake da cikakken tsarin labari daban. Gyaran script da kuma daidaita motsin ’yan wasa a tsakaninsu, sai a ci gaba da harbi—waɗannan matakai sun zama lokaci mai wahala sosai (agonizing) gare ni, ga ’yan wasan, da kuma ga duk ma’aikatan.”  

Wadannan gyare-gyare masu raɗaɗi sun bar tabo a fili a aikin. Masu kallo na ƙasashen waje sun kama da kaifin raguwar ma’ana a ƙarshen labari. Mydramalist da masu amfani da Reddit sun soki cewa, “Halin da yake da sha’awar ramuwar gayya (Hyun-ju) ya yi magana da shirin yin ritaya ya kuma bar ƙasashen waje ba tare da ya yi nasarar share ɓangaren ƙungiyar ba; wannan saitin yana saba da ainihin halinta kuma ba ya da ma’ana.” An kuma kawo zargi kan wani abin da ya faru: daga ƙarshen Lokaci 1 har zuwa Lokaci 2, wasu ’yan uwa na gefe da ke cikin ƙungiyar Iil group sun yi kamar an yi musu sihiri—sun canza halayya kwatsam, suna nuna su kamar masu koyon ɗabi’a marar kuskure. Wannan ma, an nuna shi a matsayin sakamakon sakaci da aka yi a script.  

Farautar ’yar sihiri da ta ƙare da mutuwa, “hukuncin al’adu”

Bayan hadarin, ci gaban da ya faru a wajen drama ya fi muni. A cikin turbar zargi na jama’a da kuma shanyewar ’yan jarida, ba ta samun natsuwa ba. An tono kuma ana cin mutuncinta a duk rayuwarta ta sirri: rigimar ɓoyayyun bayanai game da aiki a cafe, shakku kan gaskiyar matsalar kuɗi sakamakon nadin ta a babban kamfani na lauyoyi (law firm), da kuma labaran gani da ido cewa ta shiga Gangnam holdem pub. Dukkanin sirrikan ta cyber l eaker (cyber leakers) da masu sharhi masu mugunta (troll/ 악플러 ) sun yi nazari kai tsaye kuma suka yi waƙa da ita a kan layi.  

A ƙarshe, a ranar 16 ga Fabrairu, 2025, an gano Kim Sae-ron ta mutu a gida da ke Seongdong-gu, Seoul, tana da shekaru 24. Wannan ya zama ƙarshen ban tausayi da tragiki ga wata jarumar yara mai hazaka wadda ta samu matsayin ’yar’uwa ta ƙasa bayan fim “Ajeossi (2010)” tana shekara 9.  

Jaridun waje da masu bita sun kira lamarin ba wai kawai abin kunya ba ne, sai “hukuncin al’adu (Cultural execution).” Wani mai bita ya ce, “Intanet ba ta ma ba ta damar samun wata dama ta gyara kuskuren ta ba. An toshe baki, an yi mata ba’a, an goge ta. Wannan yana nuna yadda tsarin masana’antar nishaɗi ta Koriya ya sadaukar da taurari da dama kamar Sulli, Goo Hara, da kuma tsananin zaluntar da ke faruwa a cyber.”  

A ranar 19 ga Fabrairu, 2025, an gudanar da jana’izar a Asan Medical Center a Seoul, inda abokan aiki ciki har da Won Bin—wanda ya taka rawa a “Ajeossi”—tare da Han So-hee, Lee Chan-hyuk na AKMU, Lee Soo-hyun, Park Woo-jin na AB6IX, da Kim Bo-ra suka halarta domin raba baƙin ciki. Kungiyar hana kashe kansa ta shahararru, Farfesa Kwon Young-chan, ya ce a jana’izar cewa mahaifin Kim Sae-ron ya shaida cewa “bidiyon YouTube da ake ƙwace bayanan sirri sun tura ’yarta cikin tsanani da ciwon rai.”  

Bayan mutuwa ne kawai jama’a da ’yan jarida suka shiga tunani mai latti. Masoya sun bayyana ta cikin sanarwa cewa, “Ta yarda ta amince da kuskuren da ta yi a baya, ta kuma yi ƙoƙarin sake gina rayuwa, amma matakin zargi da kuma sanyi na hukunta ta ya wuce iyakar da mutum zai iya jurewa.” Mawaƙiya Migyo ma ta fitar da fushi ta hanyar Instagram: “Masu mugun sharhi ba su tsaya sai mutum ya mutu. Har ma ba su fahimci cewa su ne suke yada ƙiyayya ba.” Darektan fim ɗin da ta bar wa duniya, “Guitar Man,” Shin Jae-ho, ya yi yabo daga baya: “Ta kasance mai haske sosai kuma cike da kuzari, kuma ƙwarewar ta wajen wasan kwaikwayo har yanzu ta kasance babba.”  

Kafin a fito da Lokaci na 2 na ’Yan wasan farauta (Bloodhounds), masoya sun yi tsammanin za a ƙara a cikin fim wani abu da zai girmama ta—kamar buɗe labari (opening) ko saƙon ƙarshen credit (ending credits), ko ma wani s ya nuna tunani. Amma babu wani faɗin labari da ya faru. Wannan drama da ke tayar da hankali kan zaluntar masu bada lamuni da Dark Web, ya yi wani abin ban mamaki: ta hanyar zaluntar cyber, sai ya rasa babban ɗan wasa. Wannan mummunan cakuɗawar gaskiya ya bar wa ’Yan wasan farauta (Bloodhounds) tabo mai daci a matsayin kari a bayan duniyar labarinsa zuwa ga rubutun gaskiya.  

7. Gwajin kusurwa-kusurwa na masoya na duniya: Tashin hankali mai wahala tsakanin sha’awa da sukarwa

Duk da kyakkyawan sakamakon kasuwa na Lokaci na 2, kallon ’yan core fandom na duniya ya kasance mai tsauri. Suna murna da action mai daɗi, amma a lokaci guda suna caccakar ɓangarorin makirci (plot holes) da kuma rashin daidaito a ma’ana da sauri sosai.  

Dandalin tattaunawar drama na Reddit ya koma yaƙi bayan fitowar Lokaci na 2. Babban abin da aka fi kai hari a kai shi ne “rashin iya aiki” da haruffa masu adalci (good guys) suka nuna wanda ba a gane su ba. Wani mai amfani ya ce, “Wadanda suke da halin nagari suna da ƙanƙanta, babu dabaru, babu ma’ana, babu har ma da hankali. Misalin mahaifiya (Yoon So-yeon) wadda ba ta taɓa tsere tun da wuri ba, tana kuka kawai; ko kuma wani jami’in ’yan sanda da yake cewa shi ‘cyber hacker’ yana kiran hotel front da wayar gida don neman wuri, sai a kama shi—duk wannan kuskure ne na sabon shiga.” Ya kai zargi sosai kan rashin cika rubutun (script) da bai dace ba.  

Haka kuma, wasu masu kallo daga kasashen Yamma da ba su fahimci cikakkiyar yadda tsaron Koriya ke aiki ba inda ba a yarda da bindiga, sun ce, “’Yan sanda a kakar da ta gabata an yi musu wuka sau 400 har suka yi tsira kaɗan, amma a wannan kakar an yi musu wuka sau 500 har suka mutu. Yadda ’yan sanda ke fuskantar ’yan ta’addar da ke dauke da makamai amma ba sa amfani da bindiga—wannan cikakkiyar ban dariya ce.” Har ila yau, gajiya ba ta da yawa da ta shafi bayanan da aka yi wa haruffan kamar Hong Min-beom na cha’b ya hanyar Choi Si-won, ko kuma leken siffar mutanen Iil group.  

Duk da haka, dalilin da ya sa masoya ba su bar allo ba har zuwa ƙarshe shi ne ɓangarorin ƙarshe na labarin inda “gaskiyar zuciya” ta manyan jarumai biyu ke karo da “ƙiyayyar rai” ta mugunta, har ta rufe raunin labari. A episode 6, da alama ta yi kama da hakan: sakamakon cin amana da dan dama na Im Baek-jeong, Yoon Tae-gum (Hwang Chan-seong), ya sa aka kama Baek-jeong. Amma sai aka ga wani babban shiri na fashin da aka tsara: ’yan leken asiri da aka dauko su ta hanyar dandalin tattaunawar Dark Web sun farmaki motar daukar ’yan sanda, suka jawo babban shiri na kwace. Wannan ya ba da matuƙar nutsuwa. A cikin wannan rikicin, yadda aka yi wa ’yan sanda da Tae-gum kisan gilla ba tare da tausayi ba ya ƙara ƙwanƙwashe takaici na fuskantar mugun hali, tare da kuma kara sha’awar catharsis.  

8. Girgizar post-credits: Fadada duniyar labari da hasashen Lokaci 3 tare da Park Seo-joon

Bayan duk faɗa ta ƙare, zobe da aka yi wa jini ya yi shiru, abin da ya ja masu kallo cikin tashin hankali shi ne “post-credits scenes” da aka daidaita cikin hikima a kusa da ƙarshen shirin da kuma kafin/ bayan ending credits. Wadannan ’yan mintoci kaɗan na bidiyo sun nuna a fili cewa duniyar ’Yan wasan farauta (Bloodhounds) ba za ta tsaya ga masu bada lamuni na unguwa ko kuma gidajen caca na haram ba—za ta fadada sosai zuwa yankin iko na kasa da kuma leƙen asiri.  

Katin da ya fi girgiza shi ne fitowar Park Seo-joon na Netflix, tauraro mai suna a duniya. Da shahararsa ta duniya ta fito ne ta hanyar “Gyeongseong Creature,” “Itaewon Class,” da kuma “The Marvels,” ya yarda ya yi cameo da yardar rai saboda alakar da ya samu a wajen darektan Kim Ju-hwan a fim ɗin “Midnight Runners.”  

A cikin labari, Park Seo-joon ya taka wani jami’in leƙen asiri na Black Ops—“sabon salo (latest model)”—wanda ke samun ɓoyayyar umarni daga shugaban NIS, Choi Gwang-il. Ya kafa Black Trio tare da jami’in hacker Han Saul-gi (Lee Seol), da Decks (Dex), don bin ainihin bayan laifuka. Jami’in latest model yana tsara dabaru don karkatar da Im Baek-jeong ko kuma ya jawo shi—misali, ya umurci yaɗa aikin da zai sa Hong Min-beom (Choi Si-won) ya shirya dambe-bambancen mutuwa (death match) tsakanin Geon-woo da Im Baek-jeong. A bayan fage, yana aiwatar da aikin leƙen asiri a hankali sosai.  

Darektan ya bayyana, “Waɗannan su ne halittu na musamman da dole su tabbatar da kasancewarsu ta hanyar charisma da aura na ’yan wasa kawai, ba tare da dogon bayani game da asali ba.” Bita da dandalin ScreenRant da magoya sun fara tattaunawa a nan da nan. “Menene ainihin labarin a ƙarshen ƙarshe a asibitin gawa?” “Im Baek-jeong da muke zaton ya mutu, shin yana raye ne don Lokaci 3?” “Park Seo-joon (latest model) shin shi ne mugun nan na ƙarshe na Lokaci 3, ko kuma shi ne sabon taimako don yakar wani mugun da ya fi girma?”  

Dangane da wannan, Jung Ji-hoon ya ce, “Ban gane ba me yasa ake fara magana game da Lokaci 3, amma idan an shirya, ina iya sake yin kiba. Idan zan zo in yi yaƙi a matsayin tsohon bokan da ya yi ritaya maimakon ƙaƙa ko bindiga, ba zai yi ban sha’awa ba?” Wannan ya bar wataƙila ta ƙarshe wadda ta ƙara kunna fata a tsakanin masoya. Bayan Lokaci 1, sai ma mun ga ma’aikacin biyo bayan mutuwa, tsohon dan fashi na wuka, Du-yeong (Ryu Su-young), ya fita daga rufin sa ya sake shiga a matsayin abokin Geon-woo mai dogaro. Don haka an nuna cewa ko mutuwa ma a wannan duniyar ba ta da iko—kowane mutum na iya dawowa ya sake a tsayawa a zobe.  

9. Kammalawa: Tambayoyin da bandeji mai jini ta bari

’Yan wasan farauta (Bloodhounds) shi ne rubutu da ya nuna musamman yadda abun Koriya ke da ƙwarewa da kuma dacewa a kasuwar streaming ta duniya. Wannan aiki yana da dukan gumi mai kauri amma gaskiya da Hollywood ba ta iya bayarwa ba, tare da abin kallo mai tsananin jiki: inda ake juya faɗa da zai ƙare da harbi ɗaya zuwa musayar punches da ke zubar da jini sau da yawa.  

Labarin da ya fara a yaƙi tsakanin matar masu bada lamuni ta lokacin annoba (Lokaci 1) da kuma mai bada riba na haram, ya juya zuwa wata sabuwar duniya bayan shekaru 3 kacal: yaƙi da babban fascism na dijital (Lokaci 2) wanda ke ɓoye a bayan sirrin Dark Web, yana sayar da rayuwa ta hanyar Bitcoin. A cikin wannan jerin action mai tsanani da kuma mai ɗauke da rhythm da Huh Myeong-haeng ya tsara, abin da ya sa matasa biyu ba su yanke ƙauna ba ba shi ne bel ɗin zakara mai haske ba—amma teburin cin abinci na mahaifiya mai tsufa, da kuma irin haɗin Marine mai ɗaurewa da juna. Ga aljanu da ke cin tashin hankali a matsayin kuɗi a kololuwar jari-hujja, wannan juriya ta analog da ta saba da komai—“hannun hannu” na asali—ta ba masu kallo a duniya wata babbar catharsis.  

Amma a gefen wannan ɗaukaka, akwai wata tabo mafi muni: mutuwar ban tausayi da ban mamaki ta wata ’yar wasan kwaikwayo. Jama’a da ke kallon labarin jaruntakar ’yan wasan farauta suna azabtar da aljanu na kuɗi da iko sun koma gaskiya: suna kunna smartphone, suna neman zafin su kamar masu kallo na Dark Web da ba a san su ba, suka kuma shiga “sabon bauta” na cyber. Kamar yadda Im Baek-jeong a cikin labari ya yi amfani da sirrin dijital don jin daɗin kashe-kashe a matsayin wasa, haka kuma a zahiri jama’a suka taimaka wajen “hukunta al’adu” Kim Sae-ron ta hanyar sharhi marasa iyaka da tono bayanan sirri ba tare da hankali ba. Wannan tsoro da haɗin gaskiya da ƙage na decalcomania yana tilasta tambaya mai nauyi: mugun nan da ya fi tsanani shin Im Baek-jeong ne da ke gudanar da Dark Web a allo, ko kuma jama’a da ke nuna rashin damu a bayanin su, suna kallo suna zubar da jini a bayan allon ta hanyar Bitcoin?  

Yanzu dukkan idanu suna karkata ga yiwuwar Lokaci 3, wadda Park Seo-joon ya yi wani abu da zai juyar da tsarin duniyar labari. Idan an yi gyaran ɓangarorin da masu kallo suka nuna a matsayin “rubutu mai sassauci,” tare da ƙara gina siffar halayen da su kasance masu zurfi, ’Yan wasan farauta (Bloodhounds) za ta zama wata kasa da ba za a manta da ita ba a tarihin Koriya action genre a matsayin babbar franchise. Bandeji da ke jini a allo ta samu ɗan shiru na ɗan lokaci, amma sha’awar kuɗi ta duniyar dijital da hannun analog ke bukata dukan ta—har yanzu ba ta ƙare ba. Zoben ƙara yana shirye ya sake yin ƙara.