Idan har fina-finan kisa na Koriya sun fara tabo wuraren da ba a taba tunanin za su kai ba, to a tsakiyar wannan yanayi akwai shirin kwaikwayo mai suna 'Kwakwalwa: Fitar Dama na Kisa'. Kamar yadda hoton tsohon hoto a cikin kundin iyali zai iya juyar da gida, labarin ya fara ne daga sunan wata mace mai kashe-kashe mai suna Jeong I-shin (Go Hyun-jung) wadda ta taba tayar da hankali a duniya. Shekaru sun shude, kuma an dade da kulle ta, yayin da labarin ya zama kamar tsohon labari da aka bar a cikin fina-finan gaskiya da labaran yanar gizo. Duk da cewa mutane suna tuna sunan Kwakwalwa, amma suna manta da ma'anar kisan da rayuwar wadanda aka kashe. Wannan wani bangare ne na zamanin cinikin 'gaskiyar kisa' inda abun ciki ya rage amma azaba ta bace.
Amma wata rana, kisan da ya yi kama da na Jeong I-shin ya sake faruwa. Yanayin wanda aka kashe, kayan aikin kisan, da yadda aka tsara gawar sun yi kama da juna, suna jawo tsohon mafarki mai ban tsoro zuwa yanzu. Kamar yadda aljan a cikin fim din tsoro zai iya dawowa ta hanyar SNS, haka nan kuma baya ya fara cinye yanzu.
Mutumin da zai dauki wannan al'amari shine dan sanda Cha Su-yeol (Jang Dong-yoon) wanda aka san shi da matsala a cikin ofishin 'yan sanda. Su-yeol dan sanda ne mai kwarewa, amma yana da matsala da tsananin fushi da kuma amfani da karfi fiye da kima. Kamar yadda mai harbin wuta da ba a daidaita ba, yana mayar da martani ga laifi fiye da kowa, kuma yana son tsayawa a gefen wadanda aka cuta, amma yana kasa sarrafa fushinsa, yana kusa da ketare iyaka sau da yawa. Babban jami'in sa, Choi Jung-ho (Jo Sung-ha), ya ba shi wannan al'amari a matsayin wata dama ta karshe. Su-yeol yana fara bin shaidun da sanyi, amma ba da jimawa ba ya gano cewa al'amarin Kwakwalwa yana da alaka da shi sosai. Jeong I-shin, Kwakwalwa, ita ce mahaifiyarsa. Wannan wani irin rashin sa'a ne na kaddara da za a iya gani a cikin wasan kwaikwayo na Girka, kamar yadda Oedipus ya sake bayyana a cikin tufafin dan sanda na zamani na Koriya.
Shirin kwaikwayon ba ya gaggauta cinye wannan tsari mai ban mamaki, amma yana daukar lokaci wajen haifar da yanayin zuciyar Su-yeol. Su-yeol ya tashi cikin tashin hankali da tsoro tun yana karami. Tashin hankali a cikin gida, gaskiyar da aka rufe da sunan addini da mutunci, da kuma gaskiyar cewa mahaifiyarsa ta zama mai kashe-kashe sun girgiza rayuwarsa. Su-yeol ya yanke dukkan dangantaka da mahaifiyarsa, yana kiran ta 'dodo', amma yana kasa tserewa daga gaskiyar cewa shi ma ya zama mutum mai kusanci da tashin hankali. A tsakanin kwayoyin halitta da yanayi, yana tambayar kansa kowace safiya a cikin madubi. "Shin na yi kama da mahaifiyata, ko kuwa na lalace ne saboda ita."
Rawa da Shaiɗan: Tafiya Mai Cike da Rikici
Binciken kisan kwaikwayo ba ya ci gaba da sauki. Kamar wanda ya san yadda 'yan sanda ke motsi, mai laifin yana barin alamu, kuma kowanne kisa yana kwaikwayon wani sashi na al'amarin Kwakwalwa. A cikin wannan tsari, tawagar bincike ta yanke shawara mai hatsari. Suna jawo Jeong I-shin, Kwakwalwa na gaskiya, cikin binciken. Kamar yadda FBI ke neman shawara daga Hannibal Lecter, suna amincewa da cewa suna bukatar ilimin shaiɗan. Jeong I-shin tana bayar da sharudda da fuska mai sanyi da rashin motsi. Don ta taimaka, dole ne dan ta, Cha Su-yeol, ya shiga cikin binciken sosai. Wannan shine lokacin da mafi ban tsoro na soyayyar uwa ya fara.
Daga wannan lokaci, shirin kwaikwayon yana fara nuna tafiya mai cike da rikici tsakanin uwa da ɗa. Jeong I-shin tana fita daga kurkuku, an daure ta da igiya yayin da take kallon hotunan wurin da aka aikata laifi, tana gano abubuwan da sauran 'yan sanda suka rasa. Daga motsin jiki na wanda aka kashe, abubuwan da suka rikice a cikin gida, zuwa rubutun bango, tana karanta yanayin mai laifi da al'ada. Kamar yadda Sherlock Holmes zai iya sake bayyana a matsayin Farfesa Moriarty, hangen nesanta yana daidai kuma mai ban tsoro. Su-yeol yana amincewa da kwarewar mahaifiyarsa, amma yana jin tsana a kowane lokaci. Jeong I-shin tana ci gaba da cewa "kai da ni ba mu bambanta ba", kuma Su-yeol yana kokarin musanta hakan, yana fuskantar tashin hankali a cikin zuciyarsa. Wannan shine lokacin da gargadin Nietzsche na cewa "wanda ke yaki da dodo ya kula kada ya zama dodo" ya zama gaskiya.
Mutanen da ke kewaye da Jeong I-shin suna fara bayyana. Mahaifinta, Jeong Hyun-nam, wanda shi ma fasto ne, surukarsa Lee Jeong-yeon, wadanda suka san gaskiyar al'amarin da suka zabi yin shiru, wadanda aka kashe a al'amarin Kwakwalwa da iyalansu, duk suna da labaransu da suka hade da kisan kwaikwayo na yanzu, suna bayyana babban hoto a hankali. Shirin kwaikwayon yana tafiya tsakanin baya da yanzu, yana nuna yadda Jeong I-shin ta zama dodo, da kuma dalilin da yasa kisan kwaikwayo ke faruwa a yanzu. Kamar yadda mai binciken kayan tarihi zai iya tono wani abu, haka shirin kwaikwayon ke cirewa daya bayan daya.
Yayin da shirin kwaikwayon ke zuwa karshe, tashin hankali na bincike da na zuciya suna karuwa a lokaci guda. Su-yeol yana amincewa cewa ba zai iya dakatar da al'amarin ba tare da amfani da mahaifiyarsa ba, kuma Jeong I-shin tana kara samun muhimmanci yayin da take karanta yanayin mai kwaikwayo. Babu sulhu ko runguma tsakanin su. Maimakon haka, akwai wani yanayi mai ban mamaki na fahimtar juna. Yana da kyau a kalli karshe don sanin wanda ya yi kisan kwaikwayo, dalilin da yasa aka dawo da sunan Kwakwalwa, da kuma irin shawarar da aka yanke a karshe. Tashin hankali na wannan shirin kwaikwayon yana cikin tarin zuciya kafin a yanke shawarar karshe.
Tsaka-tsakin Kisa na Dangantaka
Idan aka duba ingancin Kwakwalwa, abu na farko da ke bayyana shine 'Tsaka-tsakin Kisa na Dangantaka'. 'Kwakwalwa: Fitar Dama na Kisa' yana dauke da wani abu mai tayar da hankali na kisan gilla, amma yana mai da hankali kan mutanen da kuma yadda dangantaka ke rushewa. Yadda wani zai zama mai kashe-kashe, wanda ke kusa da shi ya juya kai, da yadda iyaka tsakanin wanda aka kashe da mai laifi ke saukin rushewa. Wannan yana dauke da ma'anar 'micropolitics of power' na Michel Foucault a cikin yanayin tashin hankali na gida, munafuncin addini, da kuma rashin kulawa na zamantakewa a Koriya.
Halayen Jeong I-shin sun bambanta da na mugun hali na yau da kullum a cikin fina-finan Koriya. Maimakon idanu masu tsananin hauka ko fushi mai tsanani, fuska mai sanyi da rashin motsi tana da ban tsoro. Kamar yadda Anthony Hopkins zai iya zama idan ya tashi a cikin gidan iyali na Koriya, haka take. Tana karanta raunin mutane da kyau, tana jefa kalmomi masu rauni, sannan tana yin shiru. Yayin da dalilin da ya sa ta aikata kisan ke bayyana a hankali, masu kallo suna samun wahalar daukar ta a matsayin dodo kawai. Duk da cewa tana da laifi mai tsanani, tana kuma bayyana a matsayin wanda aka cuta. Wannan yanayin biyu shine karfin wannan hali. Shirin kwaikwayon yana bayyana gaskiyar cewa akwai masu laifi da yawa a cikin haifar da dodo.
Cha Su-yeol ma yana da ban sha'awa. Ba shi da halin jarumi mai cike da adalci. Yana tafiya tsakanin fushi da nadama, yana iya fashewa a kowane lokaci. Kamar yadda Bruce Banner ke kokarin hana kansa zama Hulk, haka yake. Yayin da yake tsana mahaifiyarsa, yana fuskantar gaskiyar cewa ya zama kamar ita. Shirin kwaikwayon yana nuna yadda Su-yeol ke kokarin hana kansa daga tashin hankali yayin da yake bincike. Wannan yana sa masu kallo su tambayi kansu. Shin tashin hankali da aka yi da niyyar alheri ya bambanta da wanda aka yi da mugunta? Ina iyaka tsakanin kariya da laifi? Wannan hali yana nuna wahalar aiwatar da adalci a cikin al'umma ta zamani.
Abin da Ba a Nuna Yana Fi Tsoro
Hanyar da aka dauka wajen nuna shirin kwaikwayon tana guje wa abubuwan da suka yi yawa, amma tana kara tashin hankali na zuciya. Maimakon nuna wurin da aka aikata laifi da tsanani, yana mai da hankali kan yadda wurare na yau da kullum ke zama jahannama. Lokacin da wurare kamar gidajen zama, coci, wuraren aiki, da wuraren shakatawa suka zama wuraren da aka aikata laifi, haske da kusurwoyi suna canzawa kadan. Kyamara tana sauka zuwa matakin idon wanda aka kashe, ko kuma tana bin numfashin 'yan sanda. Maimakon nuna jini, shiru bayan jini ya tsaya yana da tsawo. Wannan yana bin ka'idar Hitchcock na cewa "tsoro ba ya cikin fashewa, amma a cikin lokacin da ake jira fashewa."
Musamman, ana amfani da kusurwoyi masu tsawo na fuskar mutane. Lokacin da Jeong I-shin ke tunawa da baya, lokacin da Su-yeol ke kokarin hana fushinsa, lokacin da iyalan wanda aka kashe ke kallon hoton a kan teburin 'yan sanda, duk suna bayyana yanayin shirin kwaikwayon. Duk da cewa yana ci gaba da saurin nau'in, yana mai da hankali kan motsin fuska da numfashi. Kamar yadda Yasujiro Ozu zai iya daukar fim din tsoro, haka yake. Wani yanayi na fashewa a cikin shiru.
Wani Raro na Mace Mai Kashe-kashe
Wani abu da ke sa wannan shirin kwaikwayon ya zama na musamman shine matsayin 'mace mai kashe-kashe'. Duk da cewa akwai fina-finai da dama da ke dauke da halayen mata masu tsananin hauka, ba a cika samun wanda ke mai da hankali kan halin daya ba, yana bin tarihin ta da raunin ta. Jeong I-shin ba kawai wani nau'in mace mai kashe-kashe ba ce, amma tana bayyana a matsayin wani abu na musamman na al'ummar Koriya, inda gida, addini, jinsi, da tashin hankali suka hade. Yayin da ake bin yadda aka haife ta cikin tashin hankali, da lokacin da ta ketare iyaka, da wanda ya goyi bayan ta da wanda ya yi shiru, al'ummar Koriya ta bayyana. Wannan yana tunatar da 'Monster' wanda ke dauke da labarin gaskiya na Aileen Wuornos, amma yana dauke da yanayin gado na Koriya da ikon addini.
Hanyar da aka dauka wajen gyara labarin ma tana da ban sha'awa. Duk da cewa an dauki tsarin asali, an sake tsara shi don dacewa da yanayin Koriya. Gida, ikon addini, al'adar boye gaskiya, da yanayin zamantakewa na yanar gizo da kafofin watsa labarai suna hade a matsayin yanayin al'amarin Kwakwalwa. Dalilin mai kwaikwayo ba kawai 'wani dodo mai jin dadin kisa' ba ne, amma yana bayyana ta hanyar jin dadin da aka karkatar da kuma jin zafi. Wannan yana sa masu kallo su ji tsoro da kuma jin tausayin mai laifi. Wannan aikin yana shiga cikin nazarin zamantakewa fiye da kisa na yau da kullum.
Wani Yunkuri Mai Daraja Duk da Rashin Cikawa
Tabbas, ba tare da matsala ba. Yayin da aka yi kokarin daukar baya da yanzu, tarihin iyali da bincike, asalin mai kwaikwayo da suka, da kuma sukar al'umma a cikin kashi takwas, wasu labaran sun wuce da sauri. Kamar yadda ake cin abinci mai yawa a cikin lokaci kadan, akwai dandano amma ba a samu lokaci don jin dadin sa. Musamman, labaran wasu mutane masu ban sha'awa, kamar iyalan wanda aka kashe ko abokan aikin Su-yeol, suna da damar da za a iya zurfafa su. Yayin da shirin kwaikwayon ke zuwa karshe, saurin bincike da juyin juya hali suna daukar hankali, suna rage yanayin tsoro na farko. Duk da haka, yana da kyau a cikin babban tsari, yana daidaita zuciya da nau'in.
Kida da sauti suna kara yanayin wannan shirin kwaikwayon. Wani lokaci, babu kida kwata-kwata, amma shiru yana maye gurbin tashin hankali, yayin da sauti mai kaifi da kusan rashin daidaito ke bayyana a wuraren da aka aikata laifi ko lokacin da uwa da ɗa ke fuskantar juna. Lokacin da sauti ya bace, kunne yana kara jin sauti. Idan 4'33" na John Cage yana dauke da kida a cikin shiru, sautin wannan shirin kwaikwayon yana dauke da tsoro a cikin shiru.
Idan Kun Gaji da Fina-finai na Kisa na Yau da Kullum
Mutanen da nake son ba da shawarar wannan shirin kwaikwayon ga su ne wadanda ke jin dadin nazarin halayen mutane fiye da gano mai laifi. Duk da cewa akwai juyin juya hali, amma ainihin nauyin yana cikin bin dalilin da ya sa wannan mutum ya yi wannan zabi. Yayin da kuke bin kallo tsakanin Su-yeol da Jeong I-shin, kuna iya samun kanku cikin rikicewa kan wanda kuke goyon baya. Idan kuna jin dadin wannan rikicewa, 'Kwakwalwa: Fitar Dama na Kisa' zai bar muku tunani. Wannan tafiya tsakanin alheri da mugunta tana ba da kwarewa mai zurfi fiye da nishadi kawai.
Ga wadanda ke da sha'awar ganin yadda al'ummar Koriya ke matsawa mutane zuwa kusurwa, musamman a cikin gida, addini, da rashin kulawa na tsarin, wannan shirin kwaikwayon yana da kyau. Yayin da kowane kashi ke wucewa, yana bayyana fiye da kisa na yau da kullum, yana nuna abubuwan da ke faruwa a cikin al'ummar mu. Ga wasu, wannan zai zama madubi mai ban tsoro, amma saboda wannan rashin jin dadi, yana da ma'ana. Kamar yadda Oscar Wilde ya ce, "Zai zama abin dariya a yi fushi da madubi saboda yana nuna mummunan fuska." Wannan shirin kwaikwayon yana nuna mummunan fuskar al'ummar mu.
A karshe, ga masu kallo da ke jin dadin kallon wasan kwaikwayo mai nauyi, akwai isasshen dalili don kallon wannan shirin kwaikwayon saboda yanayin da Go Hyun-jung da Jang Dong-yoon suka haifar. Daya ya riga ya dauki nauyin tashin hankali da aka aikata, yana cikin kurkuku, yayin da dayan bai ketare iyaka ba tukuna, amma yana iya yin hakan a kowane lokaci. Lokacin da suka zauna tare suna musayar kallo, akwai mafi girman nauyi da sanyi da nau'in tsoro zai iya bayarwa. Kamar yadda Al Pacino da Robert De Niro suka zauna a cikin cafe a cikin 'Heat', wannan shine sigar Koriya. Wani yanayi mai cike da tashin hankali ba tare da bindiga ba.
Bayan kallon karshe, tambayar "Shin akwai wani shaiɗan daban, ko kuwa kowa yana da wani bangare na shaiɗan a cikin sa?" zai ci gaba da yawo a cikin kunne. Kuma tambaya mai tsoro ta biyo baya. "Shin dodo ne ya haifi dodo, ko kuwa mu ne muka yi watsi da dodo?" 'Kwakwalwa: Fitar Dama na Kisa' yana sa mu fuskanci wannan tambaya mai ban tsoro. Kuna iya gudu, ko kuma ku fuskanta. Zabi yana hannun mai kallo. Amma abu daya tabbatacce ne. Bayan kallon wannan shirin kwaikwayon, zai yi wuya a dauki dodo a matsayin 'ba daidai ba' kawai. Kuma wannan shine mafi girman abin da wannan shirin kwaikwayon ke bari.
